CONTENTS
Volume II (2007) |
|
|
Letter from the Editors
|
JANE DONAWERTH,
ADELE SEEFF,
DIANE WOLFTHAL, EDITORS |
1 |
The Breast and Belly of a Queen: Elizabeth After Tilbury
|
CHRISTOPHER MARTIN |
5 |
A Recluse of the Inner Quarters: The Poet Ji Xian (1614-1683)
|
GRACE FONG |
29 |
The Dominicans and Cloistered Women:
The Convent of Sant’Aurea in Rome
|
ANNE DUNLOP |
43 |
Reading the Space of the Closet in
Aemilia Lanyer’s Salve Deus Rex Judaeorum
|
KATHERINE R. LARSON |
73 |
Back Talk: Two Prostitutes’ Voices from Rome c. 1600
|
ELIZABETH S. COHEN |
95 |
This Music which is not One: Inaudible Order
and Representation of the Feminine in Francesca Caccini’s Primo libro delle musiche (1618)
|
SUSANNE CUSICK |
127 |
Ashgate Undergraduate Prize Abstract:
The Princess, the Lady, and the Maid: Gender, Class, and Meaning in
Thomas Heywood’s If You Know Not Me, You Know Nobody and John Webster’s The White Devil
|
NATASHA LUEPKE |
163 |
A Sweet Nosegay of Scholarship: Publications in English in Early
Modern Women’s Studies, 2004 - 2006
|
KATHLEEN BARKER,
KAREN L. NELSON,
with RACHEL MCCANN
|
165 |
Exhibition Review: Italian Women Artists from
Renaissance to Baroque, National Museum of Women in the Arts,
Washington, D. C., March 16 through July 15, 2007
|
MARJORIE OCH |
193 |
Book Reviews |
|
|
Justine Siegemund, The Court Midwife
|
CAROLINE BICKS |
199 |
Andrea Pearson, Envisioning Gender in Burgundian Devotional Art
1350-1530: Experience, Authority, Resistance
|
PIA F. CUNEO |
202 |
Caroline P. Murphy, The Pope’s Daughter:
The Extraordinary Life of Felice della Rovere
|
LAURA GIANNETTI |
205 |
Allison Levy, Widowhood and Visual Culture
in Early Modern Europe
|
KATHERINE A. MCIVER |
207 |
Valerie Traub, The Renaissance of Lesbianism
in Early Modern England
|
B. R. SIEGFRIED |
210 |
| Contributors |
|
215 |
